Practices

The Neopagan researcher and High Priestess Margot Adler, who defined ritual as being "one method of reintegrating individuals and groups into the cosmos, and to tie in the activities of daily life with their ever present, often forgotten, significance" noted that rituals, celebrations and rites of passage in Wicca are not "dry, formalised, repetitive experiences", but are performed with the purpose of inducing a religious experience in the participants, thereby altering their consciousness.^[53] She noted that many Wiccans remain skeptical about the existence of the gods, afterlife etc but remain involved in the Craft because of its ritual experiences, with one, Glenna Turner, saying that "I love myth, dream, visionary art. The Craft is a place where all of these things fit together - beauty, pageantry, music, dance, song, dream."^[54]

The High Priest and Craft historian Aidan Kelly claimed that the practices and experiences within Wicca were actually far more important than the beliefs, stating that "it's a religion of ritual rather than theology. The ritual is first; the myth is second. And taking an attitude that the myths of the Craft are 'true history' in the way a fundamentalist looks at the legends of Genesis really seems crazy. It's an alien head-space."^[55] It is for this reason that Adler stated that "ironically, considering the many pronouncements against Witchcraft as a threat to reason, the Craft is one of the few religious viewpoints totally compatible with modern science, allowing total scepticism about even its own methods, myths and rituals".^[56]